Reports and Campaigns

spotAbout the Socialist Party

spotAnti-capitalism

spotAnti-privatisation

spotAnti-war

spotElection campaigns

spotEnvironment

spotHealth

spotSocialist women

spotWorkplace

spotYouth and Students

All keywords


Socialist Party Facebook page
Socialist Party on Twitter
Visit us on Youtube

Anti-war keywords:

Anti-war (160)

Arms (43)

BBC (157)

BBC bias (2)

Chemical weapons (3)

Enrichment (2)

Gaza (123)

Invasion (58)

Nuclear test (1)

Nuclear weapon (4)

Nuclear weapons (42)

Palestine (110)

Petraeus (1)

Sanctions (38)

Stop the War Coalition (23)

Terror (46)

Terrorism (138)

Terrorist (42)

Trident (35)

Troops (121)

War (964)


Reports and campaigns:

Anti-capitalism (1210)

Anti-fascist (553)

Anti-racism (689)

Anti-war (1476)

Asylum (207)

Black and Asian (382)

Children (361)

CNWP (108)

Corporate crime (2)

Disability (199)

Education (3831)

Election campaigns (2408)

Environment (597)

EU (440)

Finance (95)

Food (265)

Health and safety (32)

Health and welfare (301)

Housing (1006)

Human Rights (369)

LGBT Pride (140)

Local government (2137)

Local services (3610)

Low pay (492)

Migration (54)

Nationalisation (139)

New workers party (463)

NHS (1803)

Pensions (693)

Post Office (217)

Poverty (551)

Privatisation (996)

Public Services (1100)

Socialism (846)

Socialist (39)

Sport (193)

Stop the slaughter of Tamils (88)

Students (1776)

The state (1340)

Transport (533)

TUSC (994)

Welfare rights (702)

Women (735)

Workplace and TU campaigns (8142)

Youth (1919)

Related websites

Youth Fight For Jobs

Trade Unionist and Socialist Coalition

National Shop Stewards Network

Tamil Solidarity


Highlight keywords  |Print this articlePrint this article
From: The Socialist issue 957, 26 July 2017: Barts health strike: Low pay, no way!

Search site for keywords: Russian revolution - Revolution - Art - Workers - Trotsky - War - Stalin - Economy - Democracy - soviet - Russia - Bolsheviks - Museum - Film - Capitalism - Russian - Planned economy - Theatre - Arts - Museums - Music - Soviet Union - Performance - Libraries - Cinema - Lenin - Bureaucracy

Russia 1917: how art helped make the revolution

Russian revolution poster

Russian revolution poster   (Click to enlarge)

Manny Thain

Revolution in Russia swept away the dictatorial rule of the Tsar in February 1917. Then in October, led by the Bolshevik Party, a second revolution set up the world's first workers' state.

Society was turned upside down as working class people exercised power through the direct democracy of mass councils - or in Russian, 'soviets'. It was a time of liberation and celebration.

But building the foundations of a socialist society would not be easy in such an impoverished country.

The economy had been wrecked by the Tsar's disastrous involvement in World War One as an ally of British and French imperialism. Then civil war raged as the reactionary forces of the old regime were backed by the military intervention of the capitalist powers.

Stretched resources had to be turned towards defending the workers' state, rebuilding the economy and providing people's basic needs.

Even so, in November 1917 the church's stifling monopoly on education was ended. Teaching methods were modernised and made relevant to working class and peasant communities.

Children were encouraged to take part in music, drama, literature and art as part of an all-round approach to human development. Free technical college and university education was opened up.

From August 1918, the agit-trains criss-crossed the country, spreading news of the revolution's aims: democratic decision making, land reform, women's equality, the right of national self-determination, international solidarity.

The carriages were brightly painted, depicting topical themes. They fired the imagination with debates, news, recordings of events in Petrograd and Moscow, exhibitions, performance and film. The 'Red Star' ship towed a cinema barge with seating for 800 people.

Censored under the tsar, shunned by the old art establishment, rebellious artists were swept up by the mood. They got stuck in. One key task was to raise the educational level. It is impossible, after all, for people to run society when most of them are illiterate. Poster art came into its own.

In 1918, the avant-garde artist Vera Ermolaeva founded the 'Segodnia' (Today) collective in Petrograd, the first Soviet children's book publisher. This was when Russia's paper-producing regions were occupied by enemy forces, effectively halting book production.

When the civil war was over at the end of 1920, printing went into overdrive. By 1922 there were more than 300 publishing houses in Moscow and Petrograd.

Ermolaeva also worked at the Petrograd City Museum and helped Kazimir Malevich develop the student-based 'Unovis' (Creators of the New Art). This forged a direct link with the Lomonosov porcelain factory - art into mass production. They teamed up at the experimental and interactive Museum of Artistic Culture which aimed to put control of art into the hands of artists.

Yiddish literature was another crucial part of the education drive - Jews had long been persecuted under the Tsar - with leading roles played by artists such as Marc Chagall. This was only possible because the Bolsheviks had lifted Tsarist restrictions on the Yiddish language.

In August 1918, Chagall became commissar of arts for Vitebsk, the town of his birth (in what is now Belarus), organising art schools, museums, events and conferences. He set up the People's Art College for 300 students in a residence taken over from a fat-cat financier.

A local newspaper announced: "From the lavish mansion of the banker Vishnyak, built on the blood and sweat, the suffering and tears of hundreds and thousands of people impoverished by usury, the dawn of a new culture rose above Vitebsk."

Lyubov Popova applied her ground-breaking art to set designs for the radical theatre director Vsevelod Meyerhold. His style was visual, bold and energetic, engaging the audience - not patronising or aloof.

Varvara Stepanova produced an iconic poster for Sergei Eisenstein's revolutionary film Battleship Potemkin. Popova and Stepanova worked together with the state textile factory in Moscow.

Manny Thain introducing a session on 'Art and the Russian Revolution', photo John Dickens

Manny Thain introducing a session on 'Art and the Russian Revolution', photo John Dickens   (Click to enlarge)

Innovation

Free art studios were set up in Moscow in 1918. One of the teachers was Vladimir Tatlin, who designed a building with rotating floors, meant for the conferences, executive, and communications centre of the Communist International, originally set up to spread socialism across the globe. The building was to be transparent so the workings of socialist democracy could be seen by all.

Steel shortages and technological problems meant that Tatlin's tower could not be built at the time. Its design stands, nonetheless, as a testament to the ambition and optimism of the day.

Tackling the housing crisis was another pressing priority. Innovative solutions were encouraged, combining areas for communal eating, recreation and meeting spaces. The plans often included crèches, shops, libraries and medical services. A central aim was to promote women's equality and participation by freeing them from isolating domestic drudgery.

The general approach was to link art, architecture, engineering and production - breaking down rigid divisions and hierarchies. Inevitably, tensions and jealousies arose at times, reflecting the difficult conditions and the pre-1917 upper-middle class roots of many of the leading artists.

The new workers' state had prepared the ground for this outpouring of energy. Only by nationalising key economic sectors and developing a plan of production could the necessary resources be freed up.

And that was a beacon for the whole world - socially, economically and culturally.

It had created the most modern of modern art anywhere on the planet, and involved many thousands of workers and youth in creative activity, science and technology.

Tragically, however, this new generation faced an almost insurmountable barrier. It is impossible for any country to realise socialism on its own, and Russia in particular needed the support of more economically advanced countries.

Although revolutionary movements shook Germany between 1918 and 1923, they did not overturn capitalist rule. Other mass movements in Italy, Britain, China, the United States, France and Spain - among others - likewise failed to make the breakthrough.

The isolation of the revolution in Russia left the new workers' state stunted. Straining to win the civil war and rebuild the shattered economy, workers did not have the time or energy to participate fully in running society. A bureaucratic caste of administrators and officials - increasingly backed by security forces - began to solidify at the top.

Led by Joseph Stalin, it was a privileged layer resting on top of the nationalised planned economy. In the process of strengthening its grip on power, it snuffed out the last remains of workers' democracy and derailed revolutionary movements internationally.

The superiority of a planned economy over profit-driven capitalism could be seen in the growth of the Soviet Union into a world superpower after World War Two. Moreover, in important social provision: jobs, housing, education and healthcare.

Stalinism

The grotesque top-down nature of the system under Stalin, however, meant that this was achieved at colossal cost: in wasted resources, environmental disaster, distorted development and savage repression costing millions of lives.

Leon Trotsky, co-leader with Vladimir Lenin of the 1917 Bolshevik revolution, and many other Bolsheviks and workers, fought for workers' democracy and in defence of international revolution in the 'Left Opposition'. This was opposed to Stalin's self-serving declaration of "socialism in one country."

But the global revolution was stalling, and the population was exhausted by war. And so engagement in the democratic structures of the Soviet government and Bolsheviks - by then renamed the Communist Party - receded.

Stalin's supporters in the bureaucracy took advantage of this period to marginalise the Left Opposition, increasingly with physical repression, and dismantle the democratic structures - to guard against a future resurgence.

Stalin's attack on democracy went hand in hand with a general attack on freedom of expression. In 1926, the Museum of Artistic Culture was shut down. In 1927, Trotsky was expelled from the Communist Party, forced into exile the following year. In 1930, Malevich was arrested, his work suppressed. Many artistic organisations were closed in 1932.

In 1934, the Stalinist regime declared that 'socialist realism' was the sole authorised artistic style - alongside 'proletarian literature'. Artists and writers were being ordered to glorify the regime, Stalin above all. Trotsky would sum it up as "a kind of concentration camp for the arts."

Rare examples of innovation and resistance did exist - no regime can impose complete control - but they had to be smuggled out like contraband.

Those unwilling to toe the Stalinist line were targeted. Artists, writers and composers saw their work censored and confiscated. Ermolaeva was arrested in 1934, charged with 'anti-Soviet activity' and sentenced to three years imprisonment. Just before her release, she was sentenced to death - shot dead in a forced labour camp in 1937.

In 1938, Meyerhold's theatre was closed down. In 1939 he was arrested and tortured, on the ludicrous accusation of spying for both Britain and Japan. He was executed in 1940. Zinaida Reich, the actress he married, was knifed to death in their apartment, undoubtedly by secret police agents.

Thousands of other examples could be given. This ran alongside the Moscow show trials as Stalin systematically purged revolutionaries from the system.

Trotsky continued to fight against this counterrevolution. In 1938, the year he set up the Fourth International - founded to defend the revolutionary ideas the Third International had by then abandoned - he drew up the 'Manifesto: Towards a Free Revolutionary Art'.

This was with André Breton, cofounder of the surrealist movement, and the artist and revolutionary Diego Rivera. It led to the formation of the International Federation for Independent Revolutionary Art, grouping together antifascists and anti-Stalinists.

It was a bold but short-lived initiative. The onset of World War Two and the assassination of Trotsky by one of Stalin's agents in 1940 cut across it. Stalinism emerged strengthened at the end of the war - until it finally collapsed in 1989-90.

Trotsky, however, had left a priceless legacy: keeping alive the proven idea that the working class can take power on a democratic socialist and internationalist programme. That there is a viable alternative to capitalism, and to Stalinism. His analysis of art and revolution, art and society, has also been an invaluable addition to Marxist understanding.



Literature and Revolution by Trotsky - £12.99

Art and Revolution by Leon Trotsky - £16

  • Available from Left Books, PO Box 24697, London E11 1YD
  • leftbooks.co.uk
  • 020 8988 8789
  • add 10% postage. Cheques payable to Left Books





Join the Socialist Party Join us today!

Printable version Printable version

Facebook   Twitter

Related links:

Russian revolution:

triangleTrotsky's "insightful and frank examination" of revolution out soon

triangleSalford Socialist Party: The October 1917 Russian revolution

triangleTower Hamlets and East London Socialist Party: 100 years since the Russian revolution

triangleMutinies and strikes: when Bolshevism threatened British bosses

triangleCarlisle Socialist Party: Russian revolution 1917 - the role played by the Bolsheviks

Revolution:

triangleHackney Socialist Party: 100 years ago - the Bolshevik-led revolution

triangleWaltham Forest Socialist Party: Russia's October 1917 revolution

triangleIntimate insight into a revolutionary icon

triangleBlack Country Socialist Party: Is a socialist revolution possible?

Art:

triangle'Ana Key MP' - Socialist artist responds to attacks

triangleSouth-East London Socialist Party: Art and Revolution

triangleLabour MP attacks local student over anti-austerity art project

Workers:

triangleLondon bus drivers' rally

triangleDefuse the consumer debt time bomb: nationalise the banks!

Trotsky:

triangleMarx's Capital at 150: an unequalled analysis and critique of capitalism

War:

triangleKorean peninsula: is nuclear war likely?

Stalin:

triangleLessons from the Russian revolution for LGBT+ struggle today

Economy:

triangleHackney Socialist Party: Ten years after the economic crash

Democracy:

triangleBrutal repression of Rohingya people sparks massive humanitarian crisis

Soviet:

triangleJuly Days 1917: battles with counterrevolution

Russia:

triangleProtests against state repression in Russia and Kazakhstan

Bolsheviks:

triangleChesterfield Socialist Party: The Bolsheviks take power

Museum:

triangleArts unions agree joint campaign work

Film:

triangleWarts-and-all account of class war and the struggle for LGBT+ rights

Capitalism:

triangleRefreshing, anticapitalist - but little pointing a way forward

Russian:

triangleLambeth Socialist Party: Russian Revolution - the July Days

Planned economy:

triangleHow Blairism sank its claws into the Labour Party

Theatre:

triangleCorbyn confirms £1bn for the arts

Arts:

triangleSchool students' remarkable tribute to workers' Spanish Civil War bravery

Museums:

triangleOver a thousand march to fight museums and libraries cuts

Music:

triangleCatchy folk rock with a socialist edge

Soviet Union:

triangleWhat went wrong in Russia?

Performance:

triangleSlump in unfair dismissal cases - scrap tribunal fees!

Libraries:

triangleThe Socialist inbox

Cinema:

trianglePicturehouse cinema strike spreads

Lenin:

triangleCaerphilly and RCT Socialist Party: April 1917 - Lenin and the Bolsheviks

Bureaucracy:

triangleVenezuela: Capitalist offensive sharpens after assembly elections